The Beachcomber: editing begins

Moving an 8mm film projector and its soundproof case across town to Canary Wharf and installing it in my apartment was shown to be well worth the effort, following a fantastic weekend in which Ashley and I watched the rushes and completed the paper edit on The Beachcomber. The next stage of the process is a delicate one, as Ashley returns to the lightbox and splicing tools to produce a first rough cut from our positive prints.

We were lucky and sensible to shoot the project largely in order. Another major advantage came in the form of our limited resources: rather than the gargantuan effort of searching through dozens of takes on Tantamount or over 250 shots to begin putting together James, the assembly process on The Beachcomber is made cleaner by our 1-take rule on set. Moreover, we reversed the workflow that we had applied on previous digital projects: rather than spending little time planning angles and a lot of time in the pre-edit, we spent hours setting up every single frame during our long weekend on location in Budleigh Salterton, and it is paying dividends now.

After the paper edit, in which we watch the entire thing, note the excess shots we intend to cut, re-order any that were captured on spare film, and judged for general quality of each take, the rough assembly involves cutting the reel in the middle of the ‘dead space’ between shots and re-splicing it in order. It is a painstaking task for Ashley, though not as fragile as that coming next weekend: the fine cut involves many re-runs of the rough cut, notebooks in hand, and then the film is physically re-opened on the cutting board and a few frames here and there are moved and discarded.

Simultaneously, digital work is beginning this week on our soundscape. Captured live on location and designed to provide an immersive viewer experience in the very diverse settings of our London, Oxford and online screenings, refining an audio world separately from the visuals is a new and exciting step in exploring a more artistic side to production.

I look forward to posting again next weekend, when The Beachcomber will hopefully be ready for release!

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